Pranayama: The Power of Your Own Breath

This entry was posted on Oct 24, 2018 by Charlotte Bell.

Pranayama

Human beings breathe an average of 23,000 times a day. That’s about 8.5 million breaths a year. These millions of breaths are literally keeping us alive.

The breath is so important to our lives that it is the only autonomic function that we can easily control. Legend has it that ancient yoga masters could control the speed of their heartbeat. But how did they do it? By controlling their breathing.

In a process called “sinus arrhythmia,” each time we inhale, our heartbeat speeds up a little. Each exhalation, it slows down. So lengthening either the inhalation or exhalation, practicing three-part breathing in pranayama, retaining the inhalation or exhalation, etc., affect all our other autonomic functions. The breath is the flywheel that sets everything else in motion.

The Breath Connects Us to the Universal

According to the system of yoga, the breath is more than just a physiological phenomenon. Its place in the Eight Limbs of Yoga suggests that pranayama (refinement of the breath) practice is the gateway between the more physical, worldly limbs (yama, niyama and asana) and the limbs concerned with the meditative state (pratyahara, dharana, dhyana and Samadhi).

Here’s something to ponder—a quote from an article in Yoga Journal that explains B.K.S. Iyengar’s thoughts on the breath:

“[Mr.] Iyengar tells us to think of the contact of the breath against the inner lung as the connection between universal soul and individual self … The length of the retention [of the breath] varies. It should last just until the content (prana) begins to move away from the container (the lung) … Developing the ability to feel something as subtle as when the universal soul and the individual self begin to separate in the course of a breath takes regular practice and is what pranayama is all about.”

So pranayama is a lifelong practice that evolves as our awareness becomes more and more subtle. In the Iyengar system, students do not begin practicing pranayama until they’ve gained some strength and stability in asana practice. This doesn’t mean you have to have facility with fancy, “advanced” poses. It means you need to develop stability in the basics, especially Sukhasana (Easy Pose or Cross-Legged Pose), the basic sitting pose  (which is arguably the most “advanced” pose, but that’s another post).

Natural Breath vs. Pranayama

Pranayama is powerful. By altering our normal breathing patterns, we begin to access the Pranamaya Kosha, the second of yoga’s body “sheaths.” Pranamaya Kosha governs our prana, or vital energy, our life force.

In an article in Yoga International, Pandit Rajmani Tigunait says:

“The practice of pranayama takes us beyond our skeletal, circulatory, and muscular systems. It even takes us beyond our endocrine and nervous systems. In its truest sense, the practice of pranayama aims at attaining mastery over the life force itself. And this goal is accomplished by transcending the regular rules and laws of breathing.”

It is important to investigate our own habitual breathing patterns before we layer techniques on top of them. For example, many of us habitually practice chest breathing or reverse breathing. Some of us have quick or shallow breathing patterns. So the first step toward practicing pranayama is to discover your own habits and begin to develop healthy breathing patterns. Donna Farhi’s The Breathing Book is a great resource for learning about healthy breathing.

If you discover that you do need to change your breathing pattern, know that it will require a lot of vigilance and practice. Multiply 8.5 million by the number of years you’ve been on the planet. That’s how many breaths you’ve taken in your habitual pattern. It will take time and patience to change. Learning to breathe fully, without strain, is a worthy undertaking. If cultivating healthy breathing habits is the entirety of your pranayama practice, rest assured that your body, mind and spirit will benefit.

Learning Pranayama

Because the healthy breathing is vital to our overall health and well-being, it is important that you learn pranayama from a qualified teacher, someone who has a committed, longstanding daily practice. You may need to travel to find such a teacher. While asana teachers abound these days, people who truly understand pranayama are few and far between.

DVDs or CDs can be helpful, but it’s important to have a teacher who can observe you and give you individual instructions. Our pranayama needs are unique to each of us. It’s worth finding a teacher who can give you individual mentoring. Remember that until the 20th century, yoga was always taught one on one, because each person’s path is unique. This is especially true in pranayama practice.

After 36 years of yoga practice, my pranayama practice is still very simple. I love nadi shodhana (alternate-nostril breathing) and practice it before my daily meditation practice. It seems to calm and collect my mind, and gives me a quiet energy that sustains me throughout the day. If I were to consider venturing into other techniques, I would seek out an experienced teacher.

Our breath is the most powerful tool we have for promoting our physical, mental and spiritual well-being. It’s accessible to all of us, at every moment of every day as long as we live. Take time to explore your own breathing. Be patient and curious. Practicing mindful, healthy breathing will benefit you in every way.

About Charlotte Bell
Charlotte Bell discovered yoga in 1982 and began teaching in 1986. Charlotte is the author of Mindful Yoga, Mindful Life: A Guide for Everyday Practice and Yoga for Meditators, both published by Rodmell Press. Her third book is titled Hip-Healthy Asana: The Yoga Practitioner’s Guide to Protecting the Hips and Avoiding SI Joint Pain (Shambhala Publications). She writes a monthly column for CATALYST Magazine and serves as editor for Yoga U Online. Charlotte is a founding board member for GreenTREE Yoga, a non-profit that brings yoga to underserved populations. A lifelong musician, Charlotte plays oboe and English horn in the Salt Lake Symphony and folk sextet Red Rock Rondo, whose DVD won two Emmy awards.

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